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Le pain du Brancusi

Sale price$250.00

Pigment print on Japanese gampi, 8 x 10 in, limited edition of 10. Printed on delicate yet resilient gampi paper, this work brings together material subtlety and sculptural presence. Its luminous surface and fine texture deepen the image’s quiet intensity, making each print feel intimate, rare, and carefully considered. Issued in a limited edition of 10, the piece speaks to both craftsmanship and exclusivity, offering collectors a small-format work with strong conceptual and visual impact.

Artist Statement

Le Pain du Brancusi considers bread as a sculptural substance and Brâncuși as a master of reduction. Constantin Brâncuși did not decorate; he carved away the unnecessary until form arrived at its most essential truth, where stone no longer felt heavy or resistant, but inevitable. Bread follows a similarly elemental logic: flour, water, salt, heat. There is no excess, no disguise.

In shaping bread into The Kiss, the work joins one primal material to one primal form. Bread, the substance of nourishment and survival, is pressed into Brâncuși’s severe and tender geometry of union: two faces, two bodies, two halves meeting across a single unwavering seam. Stripped of ornament, the image becomes a meditation on intimacy, necessity, and essence. In this gesture, the humble loaf is transformed into both offering and monument, earth distilled into sustenance, sustenance distilled into love.

Le pain du Brancusi
Le pain du Brancusi Sale price$250.00

About

Mari Calai

Mari Calai is an American artist of Romanian origin. She studied photography and finished The New York Institute of Photography, NYC in 2012. She has lived in Romania, Italy, S. Korea and she currently lives and works in Northern Virginia, U.S.

Mari’s oeuvre can’t be reduced to a single style, theme or genre. Her necessity to move across oceans more than once pushed her to reinvent herself over and over which became a main focus in her work. Influenced by eastern philosophies, her photographic approach was influenced and altered by her study of handmade papers, but also by drawing and painting, always testing the boundaries between them. She works around painting, photography, and alternative photographic processes, such as platinum palladium and cyanotype, and also in the darkroom experimenting with lith printing, photograms and silver gelatin prints.

Mari is the author of two photography books, published in Seoul, S. Korea and Washington D.C. Her latest book, DOR, curated by Lynn Radeka, and reviewed by Sylvia Plachy, explores the theme of longing, and is in the permanent collection of Mary Riley Public Library, Falls Church, VA and Gallery Conceal Shibuya, in Tokyo. Mari's works were presented internationally in solo and group exhibitions.